Cutting Through The Red Tape

HANDLE WITH CARE

As stock photographers, it’s rare that we can get our pictures without first having to get permission from someone. Security is getting tighter and tighter in many sectors, and it’s sometimes understandable that because of past abuses — or the increase in population — it’s necessary to screen who takes pictures of what. You’ll encounter officials in many forms: gate keepers, receptionists, policemen, bureaucrats, teachers, secretaries, security guards. You’ll even encounter unofficial officials: janitors, ticket takers, bystanders, relatives of officials, etc. But no matter who presents her/himself as an ‘official’ (barrier) to your picture-taking, handle them with care and allot an amount of time that you sense will appease their “need” to detain you.

One of the easiest officials-eliminators is the “I need your help” statement. In the case of the football gate attendant, you say, “Could you help me? I need to get a picture of the kick-off (you look at your watch) for _______ (your assignment or name of publication) — could you tell me the quickest way to the 50-yard line?”

If an official wants to know something about you — why you’re here, what the pictures will be

Organize Digital Photos

Archive Originals

Right after downloading your photos, it’s a good idea to burn them to CD or DVD. This prevents you from accidentally overwriting an original image. You can always go back to your disk to retrieve it. To save space you can keep adding new images until the disk is full. Be sure to label the CD with the year and note the contents whenever you add new pictures.

Delete Unnecessary Photos

After you’ve archived the original images to disk, review your downloaded images and purge unwanted shots. Delete badly exposed images, duplicates, out-of-focus shots, etc. If some are a little over or under exposed you can generally adjust them with your photo software, so unless you have a better version of an image, you may want to keep some of the so-so shots and fix them.

Name Your Images

Create a new subfolder to My Pictures whenever you download new photos. Don’t just dump them all into My Pictures. There are several methods for naming and structuring your folders. I like to organize my folders chronologically and put all photos for a particular year into subfolders under that particular year. Other

Shooting the Perfect Headshot

The best headshots are usually produced with a simple neutral color backgrounds, beige to off-white are best for models with fair complexions. Dark backgrounds or various shades of red are frowned upon are reds have a tendency to ‘bleed’ and dark backgrounds appear to make the model look pale, even jaundice looking. Portraits are usually vertical rectangles but not always, if the image of the face is complimented by the background, or used for ‘artistic’ effects, then landscape images are acceptable.

D’ shot? That killer portrait than makes you appear to be a queen? Here are a virtual cornucopia of variables and myriad of stages that going to making the perfect head shot. Let’s take a look at some of shall we?

Location, location, location! Are you a nature buff or a studio connoisseur? True, most ‘headshots’ are performed in studios with appropriate backdrops. Not all photographers are the same when it comes to the ‘portrait’ shot. Sometime it will require taking a model into a grass laden field or wooded areas; then taking a wide selection of angles with veritable lenses; from full body to portrait . But never shooting between the hours of 11

Decorating With Photography

The first thing you’ll want to consider is whether to have the photograph in black or white. This can be decided by many factors – for instance, in a modern bachelor apartment, a classy black and white photograph will look a lot better than a colorful montage. The same goes for a boardroom or office – staff or corporate photographs will usually look better in colour than a black and white print.

However, if you have a really good color photograph and you wish it were black and white (or vice versa), there are ways to achieve this. If the photograph has been taken via a digital camera, you can then upload it to a computer and use a program like PhotoShop or similar to edit it. This can give you a myriad of effects – from straight color swap to adding a tinge of sepia to give an air of aging, the possibilities are endless. Even if you’ve used a traditional still camera, you can ask for a CD when developing them that the negatives will be transferred to, so you can still upload them to a computer and amend with a photo editing software program.

Sense of Depth in Photography

A photographer should know how perspective works and how to exploit it to render reality as he or she desires.

Simply stated, perspective relies on two fundamental rules:

  • The nearer the object, the bigger it appears.
  • Parallel lines seem to converge toward a point.

Our brain relies on these two tenets to perceive depth and distance. So, getting down to the nitty-gritty, if a photographer wants to create a conspicuous sense of depth, he should make the above-mentioned rules evident. On the contrary, if his aim is to make a picture look flat, he should minimize these two perspective effects.

Let us assume we want to produce a strong sense of depth. We can achieve our goal by inserting in our picture a few converging lines. The more converging, the more intense the sensation of depth. Alternatively, or together with it, we can put an object in the near foreground and a far background behind. The object in the foreground will appear bigger compared to the background and, again, this will improve our impression of depth. The nearer the object in the foreground, the higher the perception of depth. For instance, when shooting a

Film Verses Digital

To be honest; the reason you used the flash sync speed was because in most cases it was a mechanical speed, just in case you had one of those new fangled SLR’s that use electronic shutter. But besides the obvious dependency on a charged battery, there are other differences between film and digital cameras.

If you have ever shopped for a digital camera you have no doubt heard one of the key buzz phrases, “35mm equivalent”. This means that the optics are not exactly the same. Since the 35mm SLR camera has been the standard for the last 50 years, that’s what they compare it to. The difference between the two is a ratio of 1:1.4. Simply put, a 35-200 zoom on a digital camera would be like having a 49-280 zoom lens on a traditional 35mm camera.

The main reason the optics are different is because the sensor (the device that actually reads the light) is also a different size. Film cameras use a film sensitive to light that is placed directly behind the lens. When the correct exposure is calculated, that image is literately burned into the film. Digital cameras, on the other hand

Advantages of Online Photo Printing

Whether you are still printing your digital prints at home, using your own printer, or going through the hassle of popping into your local shopping centre to drop in and pick up your digital prints, why not try out some of the online photo processing companies – you will amazed at the cost of online photo printing!

Online photo printing offers the consumer a range of advantages including cheap pricing, fast delivery and a range of extras including the facility to create online photo albums, upload unlimited digital photos and, in many cases, share them for free with friends and family.

Photo sharing, in particular, is extremely popular with consumers because it enables us to create an online photo album of a holiday or special occasion and then email our friends and family with a link to the album which means that everyone gets to enjoy your snaps!

In most instances, the procedure for uploading the images to your album is easy and intuitive. Simply connect your digital camera to your computer, download the images to a location on your computer and then upload them directly into your photo album from your the online photo

Seeing the Light

All photographs need light, that’s obvious. But just as all photographers are not created equal,
neither is all light the same. Some of the types of light include: Natural light (the sun), fluorescent
light (overhead lighting), incandescent light (light bulb), Electronic light (Flash), Reflective light
(off of water or snow), Bounce light (off a ceiling or wall).

Photographers like Ansel Adams or Edward Weston have been known to wait for hours or even days,
until the light was just right. What makes the light just right? What was it they were waiting for? They
were waiting for “the right moment” that brief instant in time when all the elements and principles of design, happen at the same instant. As far as light is concerned, it must compliment your subject. It
must enhance the natural beauty, not distract. It must be one with the subject. Before I start sounding
too much like a Zen Buddhist Monk, let me give you some examples:

Most photographers when shooting outdoors prefer early morning or just before dusk in the evening.
The most obvious reason is that light is not as harsh. If you are trying to create the mood of

Picture Frames and Photos

Picture frames are containers added to photos in order to enhance, protect and display photos. Some individuals even possess digital picture frames. The photo frame displays digital photos without the arduous need to print the photographs. Currently, digital photography unavoidably display the photos directly from the memory card of a camera–although a few styles may also provide internal storage to the memory. Some models can even load photos over the Internet from an RSS feed, by e-mail and photo-sharing websites like Picasa or Flickr. Most digital picture frames display photos as a slideshow. Digital photo frames can even play movie clips which are recorded in a camera’s movie mode (MP3 audio or MPG files).

The process of recording photos by means of capturing the light on a medium that’s light-sensitive,–sensor or film–photography is light patterns emitted from certain objects to expose a sensitive chemical (electronic medium) during a timed exposure. This is normally accomplished via a photographic lens in a camera, which also stores the resulting information electronically or with chemicals.

Since traditional photography burdened most photographers working at remote locales without the easy access to processing facilities, Kodak unveiled the new, sophisticated DCS 100, the

Art of Photomanipulation

Photomanipulation is basically the art of taking a normal photograph and then manipulating it the way that you want it, namely through use of a computer and various tools and applications on the computer. This modifies photographs either by analog or digital means, and is also commonly referred or related to what is known as ‘Photoshopping’, which is the slang term for the digital editing them, and although it is not directly aimed at the Adobe Photoshop application, it was named after it. Adobe Photoshop is only one of the many different digital editing applications that are available however, and for instance there is Paint Shop Pro, Corel, and even Paint, although this is one of the less advanced programs and is rarely used in the photomanipulation processes of today.

There has been a lot of controversy surrounding the issue of photomanipulation, and although there are definitely many people who have good, positive things to say about it, there are also those who feel that there are concerning issues surrounding it. For instance on the covers of magazines, when celebrities heads are pasted onto different bodies, this in the past has stirred up a lot of commotion.